Another issue that caught my attention was the use of color; it has to do with the islet in you? Or spans that border the island?
DI: I've always found interesting colors and what interested me most is the conversation between them, which was the spot that could create the visual level. I think this field as this process happens in our brain is for scientists. I chose the strong colors, vivid enough, because I like people with this spirit in life, their dynamic, they know how to laugh, cry and be honest with themselves and I try to express it through color. What I like to see in the world is someone happy who has a sincere smile and I think a strong color can express it, is my way of working, to see the world and try to translate that into the picture.
Also you said you did not want to be a gallery artist, but face the audience. Why?
DI: I received lots of invitations from galleries around the world, but always ask myself if I have the spirit of been in galleries? With the cover of artist? I do not feel as an artist, I do not feel I have a talent; I just want people to feel good when they look at the pictures, and this is my stance. I quickly change my style and I want people to feel happy looking at these graphics designs and this decision has been taken into account. Always found it interesting that a person can look at my work while cutting the meat, rather than if I was in art galleries where my work would not be so visible, because we can maximize images in numerous different products, also as a way to earn money doing what you love. But the most important is that people have access to what I do, anywhere, at any point. And increasingly, the world seems to me like that feeling, because independent artists and designers are having a huge influence on our world. This was the nicest reason to publicize my work to people.
Do not you think that's a trivialization?
DI: Everybody asks me that, indeed, I do not think so. When I work with websites that sell to the public who are interested in design and who like to feel special, I think it is not an oversimplification. My pictures , for example , are applied in pads , I think that is totally different from IKEA and buy a another an independent artist, in terms of feeling that awakens . Sometimes , big brands come to realize that kind of phenomenon and when they create specific collections , they also feel the need to pass this particular idea to be buying a product designed by a designer , I do not think it trivialization . There are so many artists and so good with immense quality that this is a beautiful ocean to see and I do not see it with a sense of banality. I talked with several design agencies and most of them tell me that the materials are not noble; you're making art without the nobility of the artist. But I want to give this access to my images because I find it interesting, giving five dollars for an illustration I think is very important to allow people to have that choice.
What is your next step as a designer?
DI: It's a very difficult question. But I guess I'm an emerging artist, every day I'm learning and the next work is so difficult because I intend to keep doing this.
So now you achieve your dream?
DI: I would not say is my dream, which it would be live from it. It is my greatest desire. I spoke of happiness, because I think we should do what we liked to be able to live, I think the world improves when this happens it is my opinion that can be relative.
