It is a book that emerged after the documentary about Mario Cesariny.
The work of the poet and surrealist artist Mario de Cesariny is almost immeasurable and quit all this experience in one documentary was almost a work of sculptor chiselling, where it was necessary to sculpt a narrative that shows the other side of the man, his more intimate facet that merges with his own career. The documentary by Miguel Gonçalves Mendes has that look, folks, but not transferable, but as with everything in life, time is always a constraint and a lot was left out that can be enjoyed in this book, beautifully illustrated by images of Susana Paiva . It is a work where descortinámos humans, the thinker, the brother and lonely. It's the conversations that were caught between filming scenes, small complicity that emerged and that somehow had no space in the documentary. It's a small tesourinho literary, not only for the beauty of the photos, but also because this small tribute ultimately show the other side of the filmmaker, photographer and the camera crew. It's like having a license to enter into a privacy truly moving on many of the pages. Happy reading!
