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The mother's son

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Rui Carvalho is an accomplished guitarist who traded in a way the rock by the sweetness of the classical guitar. A sound that builds intuitively and empties into rhythms that describe a journey, more frantic, more intense, more calm, or safer, but somehow always unpredictable.

"Mother son" has a negative connotation, but listening to your music has nothing to do with it.
Rui Carvalho : This is just the first reason , things that have nothing to do please me , I honestly like the name is passing an idea of duality , most people have the idea that it is a bad thing , but there is another reading of the word , even if we go to Brazil , where there are thousands of pages of facebook , I came to discover later , of mothers sons who is basically a webpage made by mothers with images of their children, babies is something dear . I think that in Portugal there's always a kind of bastard who is a friend, that is not offensive and I like that in the background that is aggressive, but has nothing to do with it. Who came up the name was Claudia, my wife, gave me the idea and I appropriated it.

In terms of composition of themes, there are several types of sounds when composing you think only in terms of these sounds, or just think about the guitar?
RC: I play classical guitar, played Portuguese guitar, and then moved to electric and imported things from classical guitar, to Portuguese and to the electric guitar. Now, when I decided to return the origins, I wanted to go solo, took everything along I had learned before. From the point of view of sound I let things flow, do not think much of it and I have absolutely no fear. What I thought for second album is: I've been here and now I want to try to do something different.

Speaking of Palace, the first album, why the choice of classical guitar?
RC: I do not know, I have no idea. It is a poor choice in many ways .

Why?
RC : Why is a guitar that sounds very difficult , for those who like rock and they are used to a certain kind of frequency it is not there , it's something you have to play with some sweetness and a lot of technical things that I have not. I took classical guitar because it was familiar. That was how it all started . I like the idea of playing rock in a more paced , more nervous way, usually playing what something that seen as a very controlled instrument.

So with a certain distance how do you look at that first record?
RC : I passed all the stages . I was ashamed , I found it unbearable , I loved it, I heard it only two or three times , I'm not a person who like to hear what I do makes it confuses me and I pick on everything . Now , when I recorded the second I looked at it with all the respect in the world thought the album was good . I like to hear it. It was a more on edge record, on the other hand, was not thought of as an album , I started playing classical guitar and all these moments were catch and I put them later and 4 more songs , but there were themes that I was already playing for almost one year, was gradually building . Now when I look back I think it worked very well and identifies two years of my life, that no longer makes sense . I like to play live , but wanted something different.

So what changed this time ?
RC : I do not know yet what I did , I've heard a few things , I have heard twice, but is not much ready , no mastering, but what I feel I made a traveler album, easier to hear , not much thing to be said at the same time. One thing that I think of the " palace " is that it was something electrical , nervous , intense and anxious, not just my reading, is also from others . This new record is great for a train journey , for example , things are combined with each other , and I think it is different because of it . Has a "je ne ce quoi" of soundtrack . It is more contemplative .

You use this record again only the classical guitar ?
RC : I took lots of guitars and recorded with only one. It's only classical guitar too.

A curiosity you break many guitars ?
RC : No, this only one and another left my father when I was a kid.

But why?
RC : Because I get angry when people start to talk and scream so I beat with the guitar and they shut up the rest of the concert . I do not do this often , but it works . What I like is to play live , I 'm not a technical expert , nor never shall I be in life , never played perfect. I like the excitement and project it to the people . Sometimes it works , sometimes not. And that is it, I start to feel a rage and who pays is the guitar . But for the next I'll buy it will not happen again. ( Laughs )

You have a name for this new album ?
RC : I have called the " head " .

Why?
RC : Why do a lot of stupid things and wrong and that I had in my head and it has finally come out .

It was long thought ?
RC : It was long thought , but the music no way. What happen was recorded on the Alentejo, the themes had improvisations and minor arrangements , I do not even know well the record yet, but everything was done there . It was thought in the sense that I wanted to do something different and not so demanding and intense from a certain point of view, I wanted it to be looser and in the wind.

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